Work

Culture Building Through Knowledge

Rap Style Archeology is a cultural archive preserving hip-hop's material memory, connecting the objects, stories, and overlooked details that prove how rap shaped style, media, and everyday life.

Activations

Nike x Too Many More

Brooklyn, NY
CULTURAL PARTNERSHIP

A street-level archive moment at the center of Brooklyn culture

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At Nike x Too Many More's Brooklyn block party, Rap Style Archeology brought the archive to the curb with a clear point of view: rap history should not only live online. It should be touched, questioned, remembered, and passed hand to hand.

Inside a gathering built for community, movement, and Black creative enterprise, RSA's table became a meeting point for the block. Original magazines, CDs, posters, and promo artifacts sparked stories from people who lived the era, while giving a new generation the details they do not always get from the feed.

The partnership showed what RSA is built to do: turn preservation into participation. Nike and Too Many More created space for the archive to connect with Brooklyn, and the culture felt present, social, and alive.

Exhibition

Atlanta, GA
CULTURAL EXHIBITION

Rap history, framed as fine art

At Underground Atlanta, Rap Style Archeology staged They Gave a N**** an Art Gallery, an exhibition that treated hip-hop's printed legacy with the scale and seriousness of fine art. Magazine spreads, posters, covers, ads, and archival references were placed in conversation with the city that raised the culture, turning the space into a living record of rap's visual language.

The room carried the energy of a gallery opening, but the subject matter belonged to the people. Every piece on the wall pointed back to the artists, writers, photographers, editors, stylists, and street-level moments that helped define how rap was seen, sold, documented, and remembered.

For RSA, the exhibition pushed the archive beyond collecting. It became a cultural statement: rap history deserves walls, lighting, context, and room to be studied. They Gave a N**** an Art Gallery made that argument in real time, proving that the objects around the music are part of the art too.

Film work

Glitter Ain't Gold

SXSW 2022
CULTURAL WORLD-BUILDING

Period detail for a coming-of-age story set in 90s Atlanta

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Glitter Ain't Gold SXSW 2022 film poster featuring a 1985 Monte Carlo

Christian Nolan Jones's SXSW world-premiere short Glitter Ain't Gold follows a young boy in 90s Atlanta who tries to impress a crush by buying a fake gold chain, exploring friendship, identity, and growing up too fast.

Through styling and wardrobe, Rap Style Archeology helped shape the film's visual language, giving its 90s Atlanta setting a texture that felt pulled from the block instead of dressed for nostalgia. Cultural reference, period-correct detail, and the 1985 Monte Carlo seen in the film gave the coming-of-age story a physical presence that feels lived in instead of styled from memory.

Founder Nakari Johnson appears in the short, extending the archive's role from behind-the-scenes research into the world of the film itself.

Music editorial

Wara - INFLUENZA

High Volume
ALBUM WRITE-UP

A cultural frame for a record built from raw emotion

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Wara INFLUENZA album cover
Nakari Johnson and Wara standing in front of the INFLUENZA write-up display

Rap Style Archeology created the written context for Wara's INFLUENZA, treating the album as more than a release. The piece placed Wara's story inside a wider cultural map: Brooklyn roots, Atlanta evolution, reggae lineage, and a sound shaped by both East Coast pressure and Southern movement.

Built over four years, INFLUENZA moves like a full-spectrum self-portrait: raw, restless, and intentionally hard to box in. RSA's write-up gave listeners a way into the world of the album before pressing play, translating the music's range into a story people could read, stand with, and remember.

With Nakari pictured alongside Wara and the displayed text, the moment shows RSA's editorial role in real time: documenting an artist's present with the same care it gives the past, so the record becomes part of hip-hop history while it is still unfolding.

Installation

Belly 25th Anniversary

New York, NY
TUNNEL 17 INSTALLATION

A live archive honoring Belly at 25

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For Tunnel 17's 25th Anniversary of Belly, Rap Style Archeology partnered with Nalia brand and owner/creative director Russell Hamilton to extend the anniversary experience inside EDAS Studios. The day brought together a live broadcast, Nalia's pop-up, RSA's library installation, and an evening screening dedicated to Hype Williams' debut film.

RSA treated Belly as more than a milestone. The installation framed the film as a blueprint for rap's late-90s visual language: nightlife, luxury, street mythology, music-video scale, and the cultural references that made the movie feel larger than cinema.

In partnership with Nalia brand, the anniversary moved beyond nostalgia. It became a living archive moment, connecting Belly's imagery back to 50 Years of Hip-Hop and the generations still pulling from its style, sound, and atmosphere.

Installation

EDAS Studios Installation

Brooklyn, NY
INTERACTIVE ARCHIVE EXPERIENCE

A public archive room for touch, conversation, and study

In partnership with EDAS Studios, Rap Style Archeology transformed the Brooklyn space into an interactive library installation, inviting guests to experience the archive in person instead of scrolling past it.

Founded by Creative Director Sade Mims, EDAS is rooted in craft, storytelling, and community building, making the studio a natural setting for RSA's materials to live as cultural objects, design references, and conversation starters.

The installation closed with an exclusive archive screening of Black and White, James Toback's 1999 New York film about hip-hop's pull on style, identity, race, and downtown culture at the end of the decade.

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